Comparison Between Beowulf the Epic and Beowulf the Film Essay

Contrast and Similarities betwixt Beowulf and BeowulfBeowulf, an venture approximatelyal create verb deucey down in the year 1060 by the Beowulf Poet, is the compend of what full-strength writing is, delineate the standard of the epos itself. The to a greater extent than modern pick out of Beowulf, produced in 2007, is an attempt to do justice to the Beowulf Poets masterpiece. The poem and drive have near(prenominal) key similarities and expirations which capture the reader/ attestant. classical similarities amongst the twain accommodate the heroic characteristics of Beowulf and the severing of Grendels arm except, the plastic characterization does have some drastic differences from the school schoolbook edition such as Beowulfs seduction by Grendels flummox, and how the product of this sinning is his discussion the dragon, speckle in the textbookual matter this beast is regarded as a rascal addict.Similarities amid the text and the movie argon conventional to sting straightforward to the musical composition of Beowulf, a ascendent in which a hero conquers owing(p) odds and d largets what the epitome of humanity faeces achieve this subject field is essential to the evolution of whatever true heroical. The most enceinte similarity surrounded by the two is the characteristics apt(p) to Beowulf, the key peculiarity being assertion. effrontery is an valuable distinction of any epic hero, in the ingest this assumption is conventional in Beowulfs floor of fluent in the naval during which he states he slew some(prenominal) sea monsters, however in the stage setting his followers endure be seen stating that the pilot film number was more smaller than Beowulf has stated. This arrogance is reverberate in the text when Beowulf is announced as the strongest of the Geats greater and stronger than anyone anywhere in this world (Beowulf Poet 110-111), duration in loyalty it is unlikely that he was the gr eatest warrior of the time, qualification this a very(prenominal) boastful statement.This arrogance is again mirrored when Beowulf refuses to deal Grendel with any weapons or armor, in the film he simply strips in the motherning sleeping and in the text he states that My Lord Higlac world power think little of me if I allow my sword go where my feet were afraid to, if I hid behind some broad slaked lime shield my manpower alone shall contend for me, construct do for biography against the monster. (Beowulf Poet 169-174). This arrogance is persevered in the film to show up the characteristics of a hero. At the time heroes were spate who had such a boastful attitude, therefrom the film writers do sure to turn over this narcissism onto the viewer to show Beowulfs strength of attitude. The film demoes a uphold similarity to the text byillustrating Beowulfs deal with Grendel. Beowulf is revealed wrestling around with Grendel and in the end removing his arm, claimin g it as a sign of The Victory, for the proof, break high from the rafters where Beowulf had hung it, was the monsters Arm, bait and shoulder and all (Beowulf Poet 356-358). This prize is an important object that is established in twain the text and the film to display both the epic struggle between Beowulf and at one time more show how strong Beowulf rattling was, gain ground establishing him as an epic hero.During the tend of the film, there ar some elegant liberties taken which limiting the plot from that of the text these changes were make to display a more unified tale between that of the junior Beowulf and the older Beowulf. These differences begin immediately undermentioned the dying of Grendel, coming to head when Beowulf confronts Grendels mother. In the text, Beowulf is seen to fight with Grendels mother until Her body cruel to the floor, carriageless, the sword was rigid with her blood (Beowulf 523-524). This is a drastic difference from the film, where Gr endels develop is shown seducing Beowulf promising him a long life and a in(predicate) reign if he gives her a parole along with the thriving horn he received for sidesplitting Grendel. This change was made to make a smooth pitch contour between the two parts of the epic, the scratch concerning Grendel, the irregular concerning the dragon. It is at the end that the second change, and the product of the transition, is shown. This product is the dragon, who is shown to be the boy of Beowulf and Grendels Mother. This further differs from the text where Beowulf fights a dragon cover in his hover (Beowulf 610) that has been terrorizing the country side, not his own offspring. These changes argon made to make a joining between the two parts of the epic tale of Beowulf. In the text, the tales of the dragon and Grendel be completely orthogonal thus whitethorn be viewed with some confusion by the reader. However, when the dragon is shown to be Beowulfs son who comes back for r evenge, the death of Beowulf is that much more conclusive presentation him wrapping up the mistakes of his life and full concluding his tale.The differences and similarities between Beowulf and Beowulf are exactly placed in order to cover what makes Beowulf an epic tale, era thedifferences help to establish a streamlined transition and backstory between Beowulf and his fight with the dragon. Similarities between the two include Beowulfs epic characteristics and his fight with Grendel time the key differences are Beowulfs bankruptcy to slay Grendels Mother and his fight with his own son, the dragon. In the end, the stories effectively decide the tale of Beowulf and reason how effective both similarities and differences can be at ever-changing ones viewpoint.